“Weight of the World #2” was chosen by the 2025 Juneteenth Acquisitions Committee for the City of Albuquerque Public Art Urban Enhancement Division’s permanent collection. cabq.gov/publicart

Recent Paintings Currently On View At G2 Gallery, Gypsy Alley, 702 1/2 Canyon Road, Santa Fe

Juneteenth Group Exhibition honoring Ralph Ellison’s novel “Invisible Man” at Gallery One’s Satellite Gallery, 1 Civic Plaza NW, 8th Fl., Albuquerque, NM. Exhibition Dates: June 12 to July 17,2025  www.cabq.gov/galleryone

 Anthology: Contemporary Narrative Art from the Lise Curry Collection at Pace University Art Gallery –a faculty/student-curated group exhibition celebrating the generous bequest of more than 200 works of art from collector Lise Curry. Exhibition Dates: June 6 – September 13, 2025

“Navigating Today’s Contemporary Art World”, with Ronnit Vasserman April 27 from 4-6 pm at MAURA TORPE DESIGNS, 4 Birch Hill Road, Locust Valley | New York, sponsored by J. Mackey Gallery

Spring Group Show At G2 Gallery, April 11-June 21, 2025, Santa Fe, New Mexico, 505.982.1212

Paintings On View At J.Mackey Gallery, East Hampton, New York, 631.237.4655

Drawings On View At Pierogi Flat Files, Brooklyn, NY, 917.699.6908

“The cuts Cynthia Hartling makes in her pictures suggest a need to go beyond the optical realm, implying that vision is informed as much by invisible, conceptual layers as it is by what is seen with the eyes.”
—Bernard Yenelouis, 2017/03/05 Brattleboro Museum & Art Center

“Atoms or views of distant universes emerge from an infinitely productive, dun-colored background.”
—Elizabeth Johnson, 2018/02/02 Delicious Line Inc.

“Squares pulsate with energy, in their own universe, amid sheets of tremulous color.”
—James Wylie, 2013/03/04

“Her work feels in part diaristic, as if she is working some immediate thought or emotional process out into the world.”
—Cassandra-Neyenesch, Janet Kurnatowski Gallery, 2010

“The syncopated rhythms of abutting, overlapping shapes hint at the geometric jumble of cityscape, while a curling pale lavender band dominates the top—a touch of kookiness amid the tectonics.”
—Stephen Maine, artcritical, 2010/11/02

“Her use of color is ravishing and deeply personal, from pistachios, aquas, and hot oranges to deep, saturated blacks.”
—Cassandra Neyenesch, The Brooklyn Rail, 2007/03/02

“One leaves the show grateful for these nine moments of insight into Ms. Hartling’s creative process.”
—Benjamin La Rocco, artcritical, 2004/02/01

“The small group of paintings in this gallery debut bears testimony to Hartling’s subtle color
sense, which evokes weathered frescos, or illuminated manuscripts.”
—James Kalm, The Brooklyn Rail, 2004/03/01

“Oil paint is subtly sculpted on the canvas, raising the plane into the viewer’s space, bridging the gap between surface and viewer.”
—A.L. McMichael, After Vasari, 2011/11/10